Denise recently returned from South Korea’s QFIK 2017 (Quilt Festival in Korea, April 22 – 24), sponsored by the CQA (Corea Quilting Association), where she exhibited, taught, and lectured (see photos below). Everyone was so wonderful, welcoming, and friendly; certainly the conference folks, but also – as an example – getting lost after wandering around Seoul and having absolute strangers taking her hand and getting her to the (correct) subway line. And so many beautiful, small, very thoughtful, hand-made presents given to Denise by many of the attendees!

Korea-Showing-Quilts

Korea-Lecture

Korea-Sewing-Demo

The quality of the art was absolutely top notch. It's a well-established, medium sized show – thus very approachable – and all of the selected work was of the highest quality. The Korean quilter's eye and appreciation for detail is second-to-none.

The
CQA was a great and caring host, and ran a very well managed show. Quilting is alive and thriving in South Korea! Thank-you to all involved.

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Flying back from Seoul, Denise took a detour to Lincoln, Nebraska to attend the annual SAQA conference. Here she is (very jet-lagged) presenting at the conference’s banquet:

Denise-Speaking-at-SAQA


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Here is Denise's latest quilt (April, 2017), Cathedral Arch at Glendalough (38" wide x 50" high):

Cathedral-Arch-1920-Web

Detail

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Denise will be returning to France this coming September (2017) to again participate in this year's 23rd annual Carrefour Européen du Patchwork (European Patchwork Meeting) held in Sainte Marie Aux Mines, France. This year, however, instead of exhibiting, she will teach the annual post-exhibition workshop (Séminar Post Carrefour), which will be a four-day immersive, hands-on techniques class on her approach to both landscape and "stonescape" quilting. Key areas of focus will include fabric painting, working from photos, and "the why and how" of selecting and using different construction techniques (including appliqué – raw, turned, and reverse – insetting, and free-form stripping). See Classes and Lectures for details.

Denise is thrilled to be associated with an amazing group of fiber artists and art quilters that have previously taught this very special workshop: Noriko Endo (Japan) in 2009, Katie Pasquini Masopust (USA) in 2010, Katie Pasquini Masopust and Sue Benner (USA) in 2011, Libby Lehman (USA) in 2012, Philippa Naylor (GB) in 2013, Judith Mundwiler and Gabi Mett (Switzerland and Germany) in 2014, Nancy Crow (USA) in 2015, and Ann Johnston (USA) in 2016. The class is scheduled for September 18th through the 21st (Monday through Thursday), 2017.

Denise’s teaching style is highly interactive and group-adaptive, and is focused more on the hands-on development of participant creativity, confidence, and experiential exploration than on rigid, content-constraining schedules or the rote coverage of pre-selected subject matter. She holds nothing back, and is delighted to openly share her wide-ranging knowledge of both traditional (although often repurposed) and new fiber art and quilting techniques. Her classes are also great fun!

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Fabric-0866-Cropped-Web-480

Examples of Denise's Hand-Painted Fabric (the creation of which is part of Denise's Séminar Post Carrefour curriculum)

Also, Denise will be staying in Sainte Marie Aux Mines during the entire exhibition (prior to her class). Please feel free (really!) to contact her should you want to get together and visit (she'll probably have a couple of her new quilts with her).

UPDATE: The Séminar Post Carrefour workshop is sold out! For those on the wait list, however, as well as any other interested quilters, a similar in-depth class has been scheduled in conjunction with Denise's participation in the May, 2018 International Quilt Festival of Luxembourg (see below).

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Directly after the Séminar Post Carrefour, Denise will be visiting Turin's (Torino, Italy) "Manualmente" Exhibition on Saturday, September 23rd to show several of her quilts and to teach a one-day class (the topic is still to be finalized).

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Further in the future, Denise has also happily accepted a very kind invitation to be a featured exhibitor at the 2018 International Quilt Festival of Luxemburg (May 10–13, 2018). The festival is similar to the Carrefour Européen du Patchwork (see below) – it is held every other year, with exhibitions spanning four different villages. Denise will also be teaching an in-depth four-day workshop at the conclusion of the exhibition; content will be largely the same as that being taught this coming September at the Séminar Post Carrefour (described above). Exciting! More details as the event draws nearer.

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In the latter half of 2016 three major international quilting and fiber art magazines – Burda Patchwork and Quilting Magazine (France and Germany), Magic Patch Magazine (France), and Art Quilting Studio Magazine (USA) – published in-depth articles profiling Denise and her art (the first two pages of each article are shown below). She was also featured (this past November) in the Corea Quilt Associates (CQA, South Korea) semi-annual national newsletter.

For 2017, Denise has been similarly featured in the recent January edition of Quilt Italia (Association Nazionale di Patchwork), the Italian National Quilt Guild's quarterly magazine, and in January's Art Quilt Collector (Issue #6), a quarterly SAQA publication (she was a previous SAQA Featured Artist back in May, 2012).

Art Quilting Studio Magazine (USA), Featured Artist, Summer 2016
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Magic Patch Magazine (France), Featured Artist, September-October 2016 (#124)
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Burda Patchwork and Quilting Magazine (both France and Germany), Featured Artist, November 2016
Burda-(2016)-v3-Web-240

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Late last year (October, 2016) Denise was a featured artist and instructor at the 2nd Annual 2016 China International Patchwork Invitational Tournament and Patchwork Arts Show, held in Beijing.

Denise-and-Chinese-Translator-Web
This is a major new Asian exhibition highlighting both domestic (Chinese) and a select number of international quilt artists. The Chinese love patchwork and quilting (they showed some amazing and innovative quilts, plus some truly astonishing stitch work), and intend to make this show into a major international showcase – they are eager to share their country's fantastic breadth of quilting (the show highlighted work from many of its indigenous regions and peoples), very much want to learn about new techniques and approaches (particularly the innovative use and application of color), wish to meet and interact with other quilters and, in general, want to become mainstream and active members of the growing international quilting and fiber arts family.

In addition to exhibiting and teaching (working with her students was one of the highlights of the trip), Denise also joined other invited international attendees – from Singapore, South Korea, Germany, Portugal, and the USA – in jurying the exhibition's multiple quilt competitions.

Befitting its pending importance as a key quilting venue, the exhibition was held at Beijing's International Design Center. Show management were the most cordial and welcoming of hosts, bending over backwards to make the trip truly memorable (as did their wonderful interpreters, including Vivian Tam who is seen in the photo to the right). Denise was honored to be an early invitee and participant.


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Denise's participation as a featured artist – with ten quilts – in last year's 22nd European Patchwork Meeting and Exposition (
Le Carrefour European du Patchwork, September 14–18, 2016) in Sainte Marie Aux Mines, France, was a fantastic experience and success. This most prestigious of all continental European quilt exhibitions hosts 20,000+ worldwide visitors each year, completely "taking over" three adjacent villages within the Alsace's lovely Val d'Argent. It was both wonderful and overwhelming for Denise to be an invited exhibitor at this most remarkable of fiber art events; the significant positive feedback from the many visitors purposefully seeking out her exhibit was also rather stunning.

Carrefour Banner IIIFrance Sign II

See a nice photo summary of Denise’s exhibit published by the Festival’s organizers.

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In addition to Sunset on Inishmore (see this site's home page) – which is a large quilt of a formidable passageway located within Inishmore's (an island off the West coast of Ireland) breathtaking Dun Aengus Stone Fort – the following are several additional recently completed works that have not as yet been added to this website's galleries.


Kilclonney Dolmen is located near the village of Ardara, Co. Donegal:

Kilclooney Dolmen
Kilclooney Dolmen (2016)
58" wide x 35" high

The Uragh Stone Circle is located on the Beara Peninsula, an extremely isolated area in Co. Cork on Ireland's Southwest coast (South of both the Ring of Kerry and the Dingle Peninsula). Walking to the site you feel an amazing presence of fairies and spirits (of the good and friendly kind); it's also an incredibly peaceful and magical site, and is located in an area of exceptional unpopulated natural beauty.


Uragh-Stone-Circle
Uragh Stone Circle (2015)
47" wide x 30" high

Close-Up I
Close-Up II
Close-Up III


Denise's Irish Church Ruin is an interpretive melding of Ireland's many monastic stone portals.

Irish Church Ruin II Full
Irish Church Ruin (2015)
33" wide x 43" high


A couple of slightly older, but fun and different (enjoy figuring out Up or Down – but don't get dizzy), not-previously-published or posted quilts include:


Spanish-Dolmen-(Finished)-Web
Spanish Dolmen (2012)
60" wide x 40" high


Up and Down Full
Up or Down (2009)
38" wide x 58" high (or hang it sideways – people's opinions vary)

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Denise is often asked about her construction and layout techniques. A particularly interesting example of her willingness to experiment with new techniques was her use of clay 3D modeling and Photoshop to help visualize the deep shadowing found in her Poulnabrone Dolmen (click to see write-up).


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During Le Carrefour European du Patchwork, multiple visitors wanted to know about Denise's earliest stone quilts. Well, here they are:


Piper Stones I
Piper Stones I (1998)
34" wide x 44" high

Piper Stones I (above) was Denise's first contemporary stone art quilt. Lovely colors, and an obvious but raw talent, but little (or no) use of shadowing, depth-based perspective, or texture changes. Her works have most certainly evolved over the past two decades!

For fun, compare the above Piper Stones I quilt with the same scene –
Piper Stones II – made three years later.

But Denise actually made an even earlier "stone" quilt – a variation of a traditional Irish Chain patchwork design, with the diagonals being the stone walls and the green being the fields, of Co. Donegal's (Ireland) rugged, stone-hewn pastures:


Fields of Donegal
Fields of Donegal (1994)
71" wide x 60" high